1930s Film, 1940s Film

How To Live Life Like You’re In A Screwball Comedy

Escape the Mundane in Five Easy Steps.

So, your life has become slow and you don’t know how to get it to its former sharpness. You’ve come to see me because you’ve heard that I have an easy solution to your problem. Well, it won’t be easy, but it can be quick if you can think on your feet. My solution is all about thinking on your feet and being on your feet (typically running around).

With my quick and (sometimes) painless remedy, your days will never see dullness again. What I recommend is getting into the Screwball Comedy Lifestyle to feel better. Screwball comedy films were extremely popular in the 1930s and ’40s. Their stories often involved a “battle of the sexes” plot along with quick and witty dialogue, steamy chemistry, and some kind of quirky/over-the-top storyline.


Here’s how you can see better results in just two weeks with my new (and not patented) Screwball Comedy Lifestyle Guide:

1. Fall Completely In Love (But Accept That it Will Never Not be Complicated)

In many screwball comedy films, the story revolves around a couple of people who madly in love with each other but find themselves in at least one humongous misunderstanding or disagreement – enough to put their relationship or marriage in jeopardy. A properly-lived screwball comedy relationship/marriage will require insane romantic chemistry, a zany brain, and an undeniable hunger for adventure.


Despite the fighting, arguing, and possible cross-country shenanigans, you will eventually fall back into each other’s arms – I guarantee it. Find someone who will run after you like Joel McCrea’s character does in The Palm Beach Story (1942).

*Falling in love not required, but highly recommended

 


2. Embrace Oddness

Like, don’t even try to run away from it if you’ve got it. The ones that have fun in screwball comedies are usually the ones who just go with it. Going with it may get you in trouble, so be wary of that. Or not. Don’t be wary. I don’t know. Just be whatever. Have a ball! Take inspiration from this scene in The Philadelphia Story:


3. Wear Cool + Dorky Glasses

Dorky glasses = cool glasses. No argument. A prime example of this is Cary Grant in Bringing Up Baby (1938). Wear something like this and you’re on your way to become screwball amazingness. Run around like a maniac in the middle a high society party with these glasses on and you’re set for life.


4. Sit By Interesting People on the Bus

As painful as it may sound (I warned you!) this will get you far in a screwball comedy lifestyle. You’ve got to sit by a person like Mr. Shapely from It Happened One Night (1934) at least once in your life. It may be horrible at the time, but you will look back at it and laugh.


5. Get Into a Ridiculous Fight and Tell Someone They Look Like Boris Karloff

This one is at your own risk, but it’s highly recommended if you would like to live out a complete screwball comedy lifestyle. You certainly do not have to go out and pull an Arsenic and Old Lace (1941) stunt, but do so if you please and only if it enhances your life. Throw stuff, yell, etc. If you want to go a step further, tell someone that he/she looks like Boris Karloff and see what happens.


☆ Happy Screwball Living! ☆


This post was originally published on Odyssey on August 30, 2016. 

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1940s Film, musicals

GOOD NEWS (1947)

Welcome to Tait College circa 1927, where football rules and romance is aplenty. This is Good News.

This film is a remake of the 1930 film musical, which was based on the 1927 play. (The 1930 version was a full-out Pre-Code production filled with sexual innuendos. By the 1940s, it was no longer screened in the US because of cinema censorship.) The 1947 version of the film, of course, is a lot more innocent.


The hottest man on campus (on the field and off) is Tommy Marlowe (Peter Lawford). Taking the opposite approach of the female classmates who are interested in him, Tommy decides that acting disinterested is the only good way to win a girl over.

Tommy’s plan is tested when he meets the new girl on campus, Pat McClellan (Patricia Marshall). Pat is a recent finishing school graduate who likes to show off her sophistication, especially to the opposite sex. She pledges at the Phi Gamma Gamma sorority and wins over the attention of the entire football team.

When Tommy shows interest in her, Pat immediately rejects his romantic advances and, with it, piques his interest even more.

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Pat McClellan does not find Tommy amusing.
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And she makes it known.

Because Pat rejects him using a French term, Tommy decides that the way to make her fall in love with him is by enlisting the librarian on campus to teach him French. The librarian just so happens to be Connie Lane, portrayed by June Allyson.

Connie is secretly in love with Tommy and is naturally upset that he is pursuing Pat, but she consents to his request and begins French lessons with him.

Tommy eventually falls in love with Connie as the lessons continue. Of course, that just makes everything complicated, as Tommy began taking French lessons in order to pass his class, which would ensure him a spot on the field at the big football game…which would ultimately lead him straight into the arms of Pat. So…yeah.

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One of my favorite parts of the film is when Tommy and Connie sing “The Best Things in Life Are Free”. It’s sweet, reassuring and, well, innocent.

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Tommy goes back and forth with his feelings toward Connie and Pat, which upsets Connie a great deal.

Finally, Tommy comes to his senses and realizes that Connie is the girl for him. By that point, Connie realizes that he really loves her and they get together.

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Seeing as Good News is a 1940s MGM musical production, no real blossoming romance can be verified until a big song and dance number is presented to celebrate it.


As seen in Good News, June Allyson thrived at the girl-next-door roles she was often given during her time acting in Hollywood films. With her distinct husky voice, cheerful attitude, and wholesome looks, she became a huge star at MGM in the 1940s.

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(photo courtesy of Doctor Macro)

Bonus video: The Varsity Drag number from the 1930 film version of Good News – It’s even more fun than the ’47 version, honestly. It’s crazy.


This post is a part of the June Allyson Centenary Blogathon, hosted by Champagne for Lunch. I recommend checking out the other posts written by various bloggers for this blogathon!

The 1970s in Film

I Finally Watched HAROLD AND MAUDE

“I haven’t lived. I’ve died a few times.”

This is one of those movies that had fallen under the category of “I really want to see this movie” for a good while.

Harold and Maude (1971) was the first movie I ever watched at the TCM Classic Film Festival. My friend Jeremy and I lined up for the screening on Thursday night (the first official day of the festival). We stood next to a woman whose name I recognized from the “Going to TCM Classic Film Festival!” Facebook group. She has attended the festival for several years and comes from Canada each spring to indulge in the delights of TCMFF. Before we even set foot in the theater, she assured me that Harold and Maude is an incredible movie. I had no reason to doubt her.

From the moment Harold (Bud Cort) appeared onscreen, I knew I was going to fall in love with it. It also opens up with a Cat Stevens song (the whole film is filled with his music, actually) and a perfect moment of dark comedy, setting the tone for the rest of the flick.

Although I greatly enjoy many movies, there are just a handful of them that really have a profound impact on my life and Harold and Maude is one of them.

If you haven’t seen the film before, you probably at least know its general plot: it’s a love story between a young man and an old woman. Don’t be fooled; it’s so much more than that.

Harold Chasen (Bud Cort) is a nineteen-year-old obsessed with death. To amuse himself, he simulates committing suicide in order to get attention from his mother. Every time he does it, his uptight and emotionally detached mother (Vivian Pickles) either ignores it or throws a fit. (Finally, she decides that Harold needs to get married in order to grow out of his “shenanigans”, so she sets out to find the perfect girl for him.)

Her reactions make every situation so funny.

Oh, Harold also drives a wicked Jaguar hearse.

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(courtesy of imcdb.org)

Harold’s hobby is attending random funerals for fun. During one particular funeral, he first spots 79-year-old Maude (Ruth Gordon) who also happens to attend funerals in her spare time. They became fast friends despite their totally opposite outlooks on life. Whereas Harold sees through a scope of darkness, Maude sees light all around. They realize that they’re a good match and begin spending all of their time together. Harold begins to see life as something not terrible, but beautiful. Then, they become more than friends.

A note about the performances and reception at the time of the film’s release: Did you know that Harold and Maude was actually a flop when it was released into theaters in 1971? Looking back, I think it was a flop on the part of the Academy to give it a total of zero Oscar nominations. How was it not at least nominated for Best Picture? How did Ruth Gordon not get the recognition she deserved? And did they even see Bud Cort’s performance? Wow. Back then, I think a lot of people were too weirded out by the movie’s portrayal of Harold and Maude’s romance and overlooked its brilliance. Too bad for them!

The movie sat around – unloved – for several years, then people actually started watching it and loving it. Now, forty-five years after it was released, Harold and Maude is one of the quintessential cult classics.

As much as I adore Ruth Gordon’s performance (seriously, old age goals), Bud Cort has been the one who has stuck the most in my mind since viewing the movie. I was so touched to see his character transform from a miserable teenager into a man who embraced life. Because of her, Harold steps outside of his “comfort zone”. He learns how to play the banjo, he smiles, he goes out… I was touched when he declared his love to Maude because, despite it being unorthodox for those two people to fall in love, it was pure.

In real life, Bud Cort is someone who I hope to meet someday. I’ve heard he’s a nice guy and he seems like such an interesting person and I’d like think we’d make good friends. He’s held bitter feelings toward Harold and Maude for years because he makes almost nothing off of residuals from the last forty-six years. What a shame that is.

To top it off, the soundtrack is made up of Cat Stevens tunes and it’s just about perfect.


Harold and Maude will be airing on Turner Classic Movies (TCM) on June 21, 2017 at 8:00 PM (EST). If you’re active on Twitter and like to live-tweet movies, be sure to join the #TCMParty hashtag for lots of extra fun.

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(courtesy of all-that-is-interesting.com)