By George, I finally did it: I watched Two for the Road. I’d been wanting to watch this movie for several years and for some reason never tracked down a copy of it to enjoy until now.
I had the chance to watch it back in 2013 when I visited Hollywood for the first time with my dad. We got tickets to a double-feature of this film and It Happened One Night (1934) at the Egyptian Theatre. Unfortunately, Two for the Road was screened after It Happened One Night, which didn’t begin – if I’m correct – until 7:00 or 7:30 that evening. My dad wasn’t keen on the idea of walking back down Hollywood Blvd near midnight to locate our rental car. Although I was bummed, I will admit that he had the right idea in getting back to our car much before that hour. Nevertheless, I saw no less than two people dressed as Spiderman running and jumping around the sidewalks and I was totally enamored by seeing It Happened One Night on the big screen.
But good things come to those who wait!
Directed by Stanley Donen, Two for the Road looks at a young couple’s twelve-year relationship – from their first meeting, to moments of bliss, to a strained and seemingly doomed marriage. Some moments in the film are terribly romantic, some are bittersweet, and some are downright heart-wrenching.
Audrey Hepburn and Albert Finney star as Mark and Joanna Wallace. The film begins in the “present day”, introducing the watcher to a miserable couple seemingly on the brink of divorce. They begin to reminisce about the different periods in their relationship. The unique quality of this film is in its storytelling manner; instead of telling it chronologically, it’s presented in a nonlinear sequence.
Hepburn and Finney share a red-hot chemistry and despite it being a bit difficult to follow, the story is compelling and engaging. I think this was the best acting I’ve seen from Hepburn in a film so far. She’s so genuine and nails her dramatic and lighthearted scenes.
As always, Ms. Hepburn is at the top of her game where fashion is concerned, proving to us that she can pretty much grace any outfit she wears. (Side note: Hubert de Givenchy collaborated with Audrey for a handful of her biggest films, but she was costumed by Mary Quant, Paco Rabanne, and several other designers in this one.)
The style of Audrey’s costuming in Two For the Road is much different than any of her previous films. Viewers are used to seeing her in elegant dresses, simplistic blouses, and long skirts. Along with her naturalistic performance, the wardrobe does wonders.
On top of everything, this film’s soundtrack was scored by Henry Mancini, who scored three other Audrey Hepburn films: Breakfast at Tiffany’s (1961), Charade (1963), and Wait Until Dark, which was also released in ’67. The theme of this film is absolutely beautiful.